Melodie Starkey is fast becoming one of my favorite authors. I've read and reviewed a few of her books now, and each one is different. Yet they all carry a true sensitivity to people who have differences ... people who face the same questions and worries and goals that most do.
View from the Closet Doorway tells of the lives of three teenagers finding their way through high school. Two are twins: a sister and brother who could not be more different. The third is the best friend of the brother, a girl whose family lifestyle is remarkably different than that of the twins.
Starkey handles the differences among the adults as sensitively as she does those of the teens. At the age of sixteen, the teens are just beginning to peer ahead at what follows high school; presumably in their late thirties, the adults are finding that 'happily ever after' may not be what it once seemed.
There are grandparents with differences as well, but they play a minor role in this story. The real focus is on Sullivan, the brother who wishes he was a part of the family next door, his friend Kate's family. For in her house, Sully is comfortable in his own skin ... he enjoys the laid-back role that her father takes, playing his music, cultivating his life-long friends, who seem like holdovers from the sixties. Casual, creative, and musically-inclined, Steve (Kate's father) and his buddies play in a band late at night, and sleep in late in the day. Kate's mother works outside of the home and is quite comfortable ordering pizza for the gang's supper most evenings.
Sully's parents are not happily together, having divorced when the twins were young. Sully's mother is a good cook who provides a nutritious meal at every opportunity. The twins are both good students academically, but socially travel in different circles. Sully is into the theatre group with Kate, but his sister is more into keeping up with the in-crowd, with make up, clothing, and hair the focus of their conversations and attention.
When Sully faces a potential 'swirly' hairdo in the boys' room, courtesy of the tough guys, and is saved from that humiliation by the handsome senior whom both he and his sister find attractive, he begins to question his gender orientation. Sully's is disappointed in learning that his dad has brought a woman in to his apartment, replacing all of the familiar furniture and many of Sully's own belongings; tensions increase.
What happens following Sully's decision to leave home and find his way in the city is enough of a surprise to keep the reader focused on how all of the characters in this drama respond.
I give another strong five stars to this story. And if you haven't read Starkey's other novels, you will find her style of writing relevant, compelling and heartwarming, and no doubt will want to find her stories online or in the book stores.
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Showing posts with label Melodie Starkey. Show all posts
Showing posts with label Melodie Starkey. Show all posts
Wednesday, November 14, 2012
Sunday, October 21, 2012
Melodie Starkey, Sons of Eaton House
I was very happy to know that Sons of Eaton House (Book Two of the Eaton House) series was ready for Kindle. I have read two other Melodie Starkey books (see links to my reviews below) and know that her stories both inform and entertain. Book Two followed in suit, touching on many sensitive issues with delicate skill.
This is the continuation of a family narrative that was begun in Book One, but a reader need not have read the first to understand and enjoy the second (though the first is well worth pursuing and will make some of the events involving the parents easier to understand.) In Book Two, the children are coming of age, and each of their distinct personalities are evident and well developed. There are two sets of twins who are distinctly different and yet similar in values ... a younger child who is the only girl in the family ... an oldest son who carries the oldest son's family name and sense of responsibility, a grandfather who adores all seven of his grandchildren, an infant son (who will no doubt grow into the story in Book Three) and another child is now entering the family, at the age of sixteen. This foster child, as all those who preceded him, has a very troubled past, through which Starkey is able to delve into issues such as the poor state of orphanages in the late fifties/early sixties, the abusive treatment some experienced, and the callous shuffling out of the older children from overcrowded asylums. Yet this author shows him being cared for by long-distance truck drivers and migrant (sixties-hippies) farm workers who show him both physical and emotional compassion.
The contrast between the hazardous backgrounds of children who are fortuitously brought into the Eaton Family's House and the loving, compassionate, healthy environment they find themselves in at times brought tears to my eyes. The sensitive way Starkey introduces minor characters in the story who as adults are also living difficult lives but have room in their hearts and homes for this orphan before he is found and placed with the Eatons is also a credit to her writing abilities.
This story brings the children to the point of adulthood before ending suddenly, leaving the reader to want to read even more of this extraordinary family story. The parents of the children are also still growing, both within their marriage, and as adults themselves struggling with boundaries and wishes. This is a story that moves through decades of time, and the reader must stay grounded in the ever changing era, just as the characters had to learn to do.
So once again, I look forward to the next book in the saga. I'm definitely a fan!
See my earlier reviews of Melodie Starkey's novels:
Sunflowers
Eaton House Book One
Labels:
Adoption,
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Family,
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hippies,
home schooling,
leukemia,
Melodie Starkey,
orphans,
sixties,
Sons of Eaton House,
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